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reviews
Sylvia Schuster by Joyce Korotkin The New York Art World, January 2001
Sylvia Schuster's over scaled drawings of heads combine ink and chalk on paper, so densely worked that the paper's roughened, textured surface becomes integral to the image. Each mono-chromatic head bears generic, classical features with cool, expres-sionless, unseeing eyes; like those of impassive sculptures. As arranged here, one after the other on a single wall, they evoke as sense of eternal mourning.
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Classic Head
Sylvia Schuster
reviews
Jason Florio | Gambia, 2020
Robert Stivers | Mystery of Darkness
Jill Nathanson: At the Galleries, 2013
Jill Nathanson at Messineo Art Projects/Wyman Contemporary, 2012
Art Around the Edges, 2012
Jason Florio, The Long Fight for Kawtoolie, 2012
Jason Florio, Fighting Spirit, 2012
Antonio Carreno, Messineo Art Projects / Wyman Contemporary, 2011
Jill Nathanson at Messineo Art Projects and Wyman Contemporary
Jill Nathanson’s Quiet Vision, 2010
Paul Vickery - Past Imperfect Future Tense, 2010
Jason Florio, Black and White Magazine, 2009
Gema Alava: Tell Me the Truth, 2008
An Alchemist's Reverie, Picture Magazine, Fall 2002
Robert Stivers, Black & White Magazine, June 2001
more...
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